Hashish Films of Customs Officer Henri Rousseau, the and Tatyana Joukof Shuffles the Cards
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Author: Szittya, Emil
Emil Szittya’s earliest known work of significance, 'The Hashish Films of Customs Officer Henri Rousseau and Tatyana Joukof Shuffles the Cards', was published in German in Budapest in 1916, yet it portrays the hallucinatory Paris in which the author had chosen a temporary dwelling at that time. Prose poems for lack of a better word, Szittya’s "hashish films" were almost lost to time but can now be recognised as similar to the work of Blaise Cendrars and Guillaume Apollinaire. They nevertheless reflect the author’s lifelong refusal to ally himself to any literary or artistic movement. It is a strange literary work as international and untethered as the author himself had been, a symbolic map of Montparnasse that incorporated the visual world of the painters around him.Emil Szittya was the most established pseudonym of the Hungarian–born Adolf Schenk (1886–1964). A vagabond in both his writing and his practice, his life intersected with notable names throughout Europe in the years of high modernism. Schenk eventually settled in Paris, fighting in the Resistance and working at the café Les Deux Magots before dying of tuberculosis.
ISBN 9781962728041. Wakefield Press. pb. 80 pages. 17.8 x 11.4 cm.
not yet published
Emil Szittya’s earliest known work of significance, 'The Hashish Films of Customs Officer Henri Rousseau and Tatyana Joukof Shuffles the Cards', was published in German in Budapest in 1916, yet it portrays the hallucinatory Paris in which the author had chosen a temporary dwelling at that time. Prose poems for lack of a better word, Szittya’s "hashish films" were almost lost to time but can now be recognised as similar to the work of Blaise Cendrars and Guillaume Apollinaire. They nevertheless reflect the author’s lifelong refusal to ally himself to any literary or artistic movement. It is a strange literary work as international and untethered as the author himself had been, a symbolic map of Montparnasse that incorporated the visual world of the painters around him.Emil Szittya was the most established pseudonym of the Hungarian–born Adolf Schenk (1886–1964). A vagabond in both his writing and his practice, his life intersected with notable names throughout Europe in the years of high modernism. Schenk eventually settled in Paris, fighting in the Resistance and working at the café Les Deux Magots before dying of tuberculosis.
ISBN 9781962728041. Wakefield Press. pb. 80 pages. 17.8 x 11.4 cm.
not yet published