Ha Chong-hyun in Japan
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Author: Ashley Rawlings, Kenji Kajiya, Toshiaki Minemura
Korean artist Ha Chong-hyun has had a deep and enduring relationship with Japan, from his early years in Kansai to his first solo exhibition in Tokyo. His engagement with the Japanese avant-garde shaped his early practice before he transitioned into the monochrome paintings that defined his role in Dansaekhwa. Featuring new essays alongside critical writings, archival materials, rare photographs and museum documentation further illuminate Ha’s impact and presence in Japan.This volume examines Ha’s exhibitions at Muramatsu, Kamakura and other key Japanese galleries, as well as his lasting friendships with figures such as Lee Ufan and Nobuo Sekine. More than a study of one artist, this book reveals the cross-cultural currents that connected Korean and Japanese modern art.
ISBN 9780998736099. Blum Books. hb. 136 pages. 68 colour, 21 b/w ills. 25 x 19 cm.
available
Korean artist Ha Chong-hyun has had a deep and enduring relationship with Japan, from his early years in Kansai to his first solo exhibition in Tokyo. His engagement with the Japanese avant-garde shaped his early practice before he transitioned into the monochrome paintings that defined his role in Dansaekhwa. Featuring new essays alongside critical writings, archival materials, rare photographs and museum documentation further illuminate Ha’s impact and presence in Japan.This volume examines Ha’s exhibitions at Muramatsu, Kamakura and other key Japanese galleries, as well as his lasting friendships with figures such as Lee Ufan and Nobuo Sekine. More than a study of one artist, this book reveals the cross-cultural currents that connected Korean and Japanese modern art.
ISBN 9780998736099. Blum Books. hb. 136 pages. 68 colour, 21 b/w ills. 25 x 19 cm.
available