Importance of Being Anachronistic, the: Contemporary Aboriginal Art and Museum Reparations
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Author: Khadija von Zinnenburg Carroll (ed.)
This title focuses on the role of time in contemporary art and introduces anachrony as a method for subverting the colonial archive. It takes as its subject Trawlwoolway artist Julie Gough’s The Lost World (Part 2) exhibition and intervention in the Cambridge Museum of Archaeology and Anthropology. This project is the subject of essays by Gough herself, Dacia Viejo-Rose, Ellen Smith and Christoph Balzar, with photography by Mark Adams, and a foreword by Nicholas Thomas.
ISBN 9780994538819. Discipline. pb. 216 pages. 12 x 18.4 cm.
reprinting
This title focuses on the role of time in contemporary art and introduces anachrony as a method for subverting the colonial archive. It takes as its subject Trawlwoolway artist Julie Gough’s The Lost World (Part 2) exhibition and intervention in the Cambridge Museum of Archaeology and Anthropology. This project is the subject of essays by Gough herself, Dacia Viejo-Rose, Ellen Smith and Christoph Balzar, with photography by Mark Adams, and a foreword by Nicholas Thomas.
ISBN 9780994538819. Discipline. pb. 216 pages. 12 x 18.4 cm.
reprinting