Amy Sherald
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Author: Sherald, Amy
This is the first monograph on Baltimore artist Amy Sherald (born 1973), and coincides with her first solo museum show at the Contemporary Art Museum St. Louis. Sherald makes paintings of African Americans she encounters on the street, in the grocery store or on the bus. Through these vibrant, sometimes fantastical portraits, Sherald engages in broader dialogues about the black experience, the performance of race and the historic lack of non-white representation in the Western canon."When I choose my models," the artist has said,"it's something that only I can see in that person, in their face and their eyes, that's so captivating about them." Set against a monochrome background and divorced of context, time and place, the life-sized, frontal figures are dressed in costumes and carry objects that indicate their daily activities or imagined or perceived selves. Although each subject -- painted with sober realism -- bears clear resemblance to the sitter, Sherald adds the props and clothing, conjuring the figure's possible alternate self, and hinting at the complexity and performance of identity and race.
ISBN 9780988997097. Contemporary Art Museum St. Louis. pb. 36 pages. 25.4. x 20.3 cm.
available
This is the first monograph on Baltimore artist Amy Sherald (born 1973), and coincides with her first solo museum show at the Contemporary Art Museum St. Louis. Sherald makes paintings of African Americans she encounters on the street, in the grocery store or on the bus. Through these vibrant, sometimes fantastical portraits, Sherald engages in broader dialogues about the black experience, the performance of race and the historic lack of non-white representation in the Western canon."When I choose my models," the artist has said,"it's something that only I can see in that person, in their face and their eyes, that's so captivating about them." Set against a monochrome background and divorced of context, time and place, the life-sized, frontal figures are dressed in costumes and carry objects that indicate their daily activities or imagined or perceived selves. Although each subject -- painted with sober realism -- bears clear resemblance to the sitter, Sherald adds the props and clothing, conjuring the figure's possible alternate self, and hinting at the complexity and performance of identity and race.
ISBN 9780988997097. Contemporary Art Museum St. Louis. pb. 36 pages. 25.4. x 20.3 cm.
available