New Media in Art History: Tensions, Exchanges, Situations
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Author: Régine Bonnefoit, Melissa Rérat, Samuel Schellenberg (eds.)
In eight studies, eleven researchers present new findings and explore the techniques and methods of new media – from electronic to digital and post-digital media – and the challenges these pose for art history. The book covers a wide range of topics, from the history and historiography of new media to their practical application, use, and reception, as well as creative processes, material conservation, and mediation. The history of art and new media are inextricably linked – both historically and in the present day. This publication can be described as an interdisciplinary reflection: it examines the confrontation and interaction between art history and new media, highlighting key developments, opportunities, and tensions.
ISBN 9783111185927. De Gruyter. hb. 144 pages. 55 colour ills. 21 x 14.7 cm.
available
In eight studies, eleven researchers present new findings and explore the techniques and methods of new media – from electronic to digital and post-digital media – and the challenges these pose for art history. The book covers a wide range of topics, from the history and historiography of new media to their practical application, use, and reception, as well as creative processes, material conservation, and mediation. The history of art and new media are inextricably linked – both historically and in the present day. This publication can be described as an interdisciplinary reflection: it examines the confrontation and interaction between art history and new media, highlighting key developments, opportunities, and tensions.
ISBN 9783111185927. De Gruyter. hb. 144 pages. 55 colour ills. 21 x 14.7 cm.
available