Ellsworth Kelly
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Author: Kelly, Ellsworth
Accompanying the exhibition Ellsworth Kelly at 100, this fully illustrated volume celebrates the groundbreaking career of the American abstractionist. The publication highlights key aspects of his multifaceted art, and essays by Jean-Pierre Criqui, Alex Da Corte, Suzanne Hudson, Corey Keller and others explore and expand upon Kelly’s canon. With three gatefolds and a tip-on cover image, the book also includes unpublished archival materials from the artist’s studio and the Glenstone archives. Kelly frequently revisited shapes and motifs observed throughout his career, exploring form, colour, line and space through painting, sculpture, collage, drawing and photography. The publication showcases works from major public and private collections alongside key works from Glenstone's collection, including seminal early pieces such as Painting for a White Wall (1952) and Painting in Three Panels (1956), as well as examples from the iconic Chatham and Spectrum series. Also featured is Yellow Curve (1990), a monumental floor painting installation that spans nearly 1,000 square feet, on view for the first time in more than 30 years since it was conceived for an exhibition at Portikus am Main in Frankfurt. Ellsworth Kelly (1923–2015) was born in Newburgh, New York. His first exhibition was held at the Betty Parsons Gallery in 1956; the Museum of Modern Art, New York, organized his first retrospective in 1973. Subsequent exhibitions have been held at museums including the Solomon R. Guggenheim Museum in New York, Tate in London and the Centre Pompidou in Paris.
ISBN 9798987425411. Glenstone Museum. hb. 314 pages. 115 colour ills. 30.5 x 25.4 cm.
available
Accompanying the exhibition Ellsworth Kelly at 100, this fully illustrated volume celebrates the groundbreaking career of the American abstractionist. The publication highlights key aspects of his multifaceted art, and essays by Jean-Pierre Criqui, Alex Da Corte, Suzanne Hudson, Corey Keller and others explore and expand upon Kelly’s canon. With three gatefolds and a tip-on cover image, the book also includes unpublished archival materials from the artist’s studio and the Glenstone archives. Kelly frequently revisited shapes and motifs observed throughout his career, exploring form, colour, line and space through painting, sculpture, collage, drawing and photography. The publication showcases works from major public and private collections alongside key works from Glenstone's collection, including seminal early pieces such as Painting for a White Wall (1952) and Painting in Three Panels (1956), as well as examples from the iconic Chatham and Spectrum series. Also featured is Yellow Curve (1990), a monumental floor painting installation that spans nearly 1,000 square feet, on view for the first time in more than 30 years since it was conceived for an exhibition at Portikus am Main in Frankfurt. Ellsworth Kelly (1923–2015) was born in Newburgh, New York. His first exhibition was held at the Betty Parsons Gallery in 1956; the Museum of Modern Art, New York, organized his first retrospective in 1973. Subsequent exhibitions have been held at museums including the Solomon R. Guggenheim Museum in New York, Tate in London and the Centre Pompidou in Paris.
ISBN 9798987425411. Glenstone Museum. hb. 314 pages. 115 colour ills. 30.5 x 25.4 cm.
available