Tom Lloyd

Collaborating with an engineer at the Radio Corporation of America (RCA), American artist Tom Lloyd developed a highly experimental and technologically advanced art practice in the 1960s that challenged popular understandings of the work and role of Black artists. In 1968 his pioneering artwork was the focus of the inaugural exhibition at the Studio Museum in Harlem, Electronic Refractions II.Based on extensive new scholarship and intensive conservation work, this publication accompanies a landmark retrospective exhibition at the Studio Museum in Harlem exploring 20 years of the artist’s career, including his pivotal contributions tothe intersection of art and technology, and pays tribute tohis activism. This is the first-ever comprehensive catalog on the path-breaking artist and features an exclusive selectionof never-before-seen images that chronicle Lloyd’s career, including photographs of the artist collaborating with engineer Alan Sussman, nonextant works and archival installation photos.Lavishly designed by Miko McGinty and richly illustrated with full-color reproductions of artworks, studio photographs and an illustrated career chronology, Tom Lloyd also includesmajor new essays by Studio Museum curator Connie H. Choi, conservator Reinhard Bek, historian Krista Thompson, Studio Museum senior curatorial assistant Habiba Hopson and artists Paul Stephen Benjamin, Nikita Gale and Glenn Ligon.Artist, activist and community organizer Tom Lloyd (1929–96) was an early pioneer of using electric light as an artistic medium. Born and raised in Jamaica, Queens, he was the founder of the Store Front Museum/Paul Robeson Theatre, Queens’ first art museum. Lloyd’s activism in Queens continued up until his death.
ISBN 9781941366844. Gregory R. Miller & Co./Studio Museum in Harlem. hb. 168 pages. 30 x 25 cm.
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